He saves an elderly woman trapped in a burning building. Now, it appears, he’s happy trying to be a superhero. Subramaniyapuram, shone with the promise of turning into a superb filmmaker. in a film where a 13-year-old schoolboy is offed in broad daylight with a knife plunged into his throat. Asked why, he says it’s because his mother (Saranya Ponvannan) is outside the station, and if he cried out in pain, she’d end up in tears. When whipped mercilessly by the police, the small-time thug named Kutti Puli (M. Thaali -centered drama, drumstick-centered comedy, and - above all - unceasing amma sentiment. This film, itself, is something of a menagerie, a hodgepodge of “mass” elements. Kutti Puli - the multiplex has become a bloody menagerie. ) Today, every hero who wants to ascend to that superstar stratosphere is heading to the jungles for inspiration.

(There was also, at some point, the dull roar of a Murattu Kaalai, and followed it up with a When did Tamil cinema begin yoking its valorous heroes to wild animals? I suppose it all harks back to Rajinikanth, who first unleashed a

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